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Keith jarrett transcriptions2/2/2024 In the early 1980s Jarrett formed his “Standards Trio” with bassist Gary Peacock and drummer Jack DeJohnette, which proved to be one of the most fertile and long-lasting partnerships in jazz history. The early trio’s work is documented on Hamburg ’72. The American Quartet extended the range of Jarrrett’s trio with Haden and Motian. No less essential is his contemporaneous “American Quartet” work with Charlie Haden (bass), Paul Motian (drums) and Dewey Redman (sax), whose output included The Survivors’ Suite and Eyes of the Heart (both 1976). Their recordings include Belonging, My Song, Nude Ants, Personal Mountains and Sleeper. In the mid-1970s he began recording with his so-called “European Quartet” consisting of saxophonist Jan Garbarek, bassist Palle Danielsson and drummer Jon Christensen. Jarrett has been a member of several outstanding groups. But Köln should not eclipse the achievement of the whole sequence of improvised concerts, a genre which Jarrett effectively created.Īfter the success of that first solo tour, Jarrett has continued to pursue the improvised solo concert format, the decades of his career studded with records of his endlessly fertile imagination, usually referred to simply by where they took place: Paris, Vienna, Lausanne, Carnegie Hall, La Scala… The Köln Concert (1975) has unsurprisingly passed into legend: a multi-million-selling album that has been the subject of books and a complete transcription. In 1973 ECM organised an eighteen-concert European tour, consisting solely of Jarrett’s solo improvisations. The album also prefigured the solo piano concerts which would be such a defining aspect of Jarrett’s career. Jarrett’s association with ECM dates from November 1971, when he and producer Manfred Eicher first collaborated on the hugely influential solo piano album Facing You, eight short pieces which, in Eicher’s words, “hold together like a suite”. He also played organ and electric piano with Miles Davis in 19. He turned down an opportunity to study with Nadia Boulanger in Paris and in 1964 took the decisive step of moving to New York to establish himself in the jazz world.Īfter a spell touring with Art Blakey’s New Jazz Messengers, Jarrett joined Charles Lloyd’s quartet in 1966. His earliest training was classical, but by the age of 15 his piano lessons had ceased and Jarrett’s interest in jazz was burgeoning. “I grew up with the piano,” he has said, “I learned its language while I learned to speak.” He took his first piano lesson before his third birthday and gave his debut solo recital aged seven. Jarrett was born in Allentown, Pennsylvania, in May 1945.
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